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Winthrop University Galleries' 32nd Undergraduate Juried Exhibition 

Juror's Statement 

Dear Winthrop Students:
Let me start this off by saying as a gallerist I think a lot about space. I think about corners and
ceiling heights. I think about doors and walls. I consider what it means to embody an
experience. And space, if anything, is both absent and evermore present in my current COVID-
19 reality.


At the beginning of Poetics of Space, French philosopher Gaston Bachelard says the
phenomenologist, “takes the image just as it is, just as the poet created it, and tries to make it
his own, to feed on this rare fruit. He brings the image to the very limit of what he is able to
imagine. However far from being a poet he himself may be, he tries to repeat its creation for
himself, and if possible, continue its exaggeration.”


As I sit here in my home studio, I am feeding on the rare fruit that is the work you’ve submitted
to the 32nd Undergraduate Juried Exhibition. I’ve taken into consideration the final medium of
each work. For example, a video is not necessarily a video. Some are documentation of
performance or 3D works, while others are indeed meant to be films. Scale is also missing on
my computer screen. And I confess that I miss the experience of physically sharing space with
your work. That all this can go on virtually is a testament to the necessity art holds in our lives,
but the absence of art and its silence is also notable.


Thank you for taking the time and care to document your work. A number of awards went to
pieces that need to be experienced in person and I used the documentation video to ‘continue
the exaggeration’. I would encourage you to keep creating, however that presents itself and not
get caught up in needing this or needing that – which includes needing a physical audience.
Instead, I’d like to propose that in the absence of audience one might be willing to take more
risks, experience more failures, make more things.
Congratulations to all of you and be well.


Warmest Wishes,
Caitlin Margaret Kelly

Something is Out There, Rachel Goldie, Found footage video, 1:56
CMK_002CMK_002CMK_002CMK_002Howard_Anxie

Anxiety Totem, Georgia Howard, Relief Block, 10" x 13”

CMK_003CMK_003CMK_005CMK_005Collins_ Mul

Multiple, Emily Collins, Large format film, 8.5" x 11”

CMK_004CMK_004CMK_003CMK_003DeVito_Mouth

Mouth, Dianna DeVito, Photograph and Embroidery 8" x 10” 

CMK_005CMK_005Ares_Unfuckable3.jpg

Unfuckable Series, Courtney Ares, Photography, 12" x 16”

CMK_006CMK_006CMK_006CMK_006Bolton_SelfP

Self Portrait in a Skin Colored Book, Jonathan Bolton, Graphite, charcoal, watercolor, 19" x 24”

CMK_007Lindsay_Homage to The Desperate M

Homage to the “Desperate Man,” Jason Lindsay, Acrylic on canvas, 24" x 30”

Who Am I?, Trenedy Hayden, Video, 1:34

CMK_008CMK_007CMK_007CMK_007Karban_SelfP

Self Portrait, Katie Karban, Acrylic transfer and Acrylic paint, 2" x 2”

CMK_010CMK_009CMK_009CMK_009Setzer_There

There From Lost Series, Avery Lynn Setzer, Digital Photography,15" x 10”

CMK_011CMK_010CMK_010CMK_010Cordell_Grif

Concept Art for “Wasted Potential Television,” Griffin Cordell, Digital, 48" x 24”

CMK_012CMK_011CMK_011CMK_011Jenkins_Don_

Don’t Run, Jessie Jenkins, Acrylic on canvas, 24" x 24”

CMK_013CMK_012CMK_012CMK_012Griffin_LayM

Lay My Burden Down, Kai Griffin, Cast acrylic, wood, 19" x 27.5" x 3”

CMK_014CMK_013CMK_013CMK_013Shull_Hearth

Hearth, Seth Shull, Steel rod, Coroplast tape, 3' x 4.5' x 9’

The Bias Effect, Jewel Edwards, Wood, acrylic, and resin, 50" x 40" x 30”

CMK_017CMK_016CMK_016CMK_017Edwards_Self
CMK_015CMK_014CMK_014CMK_014Baechel_divi

divinity, Lauren Taylor Baechel, Steel and 23K Gold Leaf, 1’ ½” x 1’ ½”

CMK_018CMK_017CMK_017CMK_018Knape_Happy

Happy Mask, Anxious Feelings, Kamryn Knape, Acrylic Paint on Canvas, 36" x 24”

Self Royal Portrait, Jewel Edwards, Acrylic paint, 40" x 30”

CMK_020CMK_019CMK_019CMK_019MCLEAN_BakeB

Bake Bread and Don Socks, Ann McLean, Digital photography, 10" x 19”

CMK_019CMK_018CMK_018CMK_016Coleman_Coll

his shadow and i, Jay Coleman, Digital collage, 37" x 29”

CMK_022CMK_021CMK_021CMK_021Rausch_Curvy

Curvy Lady, Rhianna Rausch, Ceramics, 14" x 4”

CMK_025CMK_024CMK_024CMK_023Claytor_OnJa
CMK_021CMK_020CMK_020CMK_020Collins_Veil

Veiled, Emily Collins, Large format print, 8.5" x 11”

CMK_023CMK_022CMK_022CMK_022Neyhard_GoTo

Go to wrack and ruin, Halie Neyhard, White stoneware, raku fired, 7" x 4" x 3"

CMK_024CMK_023CMK_023CMK_024Callahan_Pur

Purse, Kate Callahan, Ceramic, 7” long and 7 ½” tall

On Jamie Love’s Wall 1, Maggie Claytor, Acrylic, 13" x 9”

CMK_026CMK_025CMK_025CMK_032Untitled-1 -

Still Life with Pretzel, Cheese, Flowers, and Banana Milk, Kim Le, Installation/ digital photography, 2.5' x 2' x 1.5’

CMK_027CMK_026CMK_026CMK_025Crumpton_Spi

Spicy Pineapple juice, Ivy Crumpton, Packaging Design, 8" x 7" x 2”

CMK_028CMK_027CMK_027CMK_026Thayne_Mushr

Mushrooms, Devlin Thayne, Wood, 9" x 8" x 7”

CMK_030CMK_029CMK_029CMK_028Tolley_Papaw

Papaw’s House, Peyton Tolley, Acrylic paint on wood, 24" x 36”

CMK_031CMK_030CMK_030CMK_029Hardaway_Gaz

Gazelle, Frances Hardaway, Mixed Media, 18" x 24”

CMK_029CMK_028CMK_028CMK_027Lindsay_Chil

Children of the Earth Cart, Jason Lindsay, wood, plywood, sod, wire mesh, steel, dirt, cement, 48" x 24" x 24”

CMK_032CMK_031CMK_031CMK_030Rogers_Under

Understructure, Kaitlyn Rogers, Oil Paint, 48" x 48”

If A Law Effects Only One Gender, Is It Equality, Jennifer Hamilton, Paint/joint compound on Panel, plus metal nails, 4' x 5' x 3"

CMK_033CMK_032CMK_032CMK_031Vigil_Violen

Violence, Marley Savanna Terry, Acrylic Monotype, 8.5" x 11”

 I do for you…, Kim Le, Performance installation, 2' x 2' x 2’

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