Winthrop University Galleries' 32nd Undergraduate Juried Exhibition
Juror's Statement
Dear Winthrop Students:
Let me start this off by saying as a gallerist I think a lot about space. I think about corners and
ceiling heights. I think about doors and walls. I consider what it means to embody an
experience. And space, if anything, is both absent and evermore present in my current COVID-
19 reality.
At the beginning of Poetics of Space, French philosopher Gaston Bachelard says the
phenomenologist, “takes the image just as it is, just as the poet created it, and tries to make it
his own, to feed on this rare fruit. He brings the image to the very limit of what he is able to
imagine. However far from being a poet he himself may be, he tries to repeat its creation for
himself, and if possible, continue its exaggeration.”
As I sit here in my home studio, I am feeding on the rare fruit that is the work you’ve submitted
to the 32nd Undergraduate Juried Exhibition. I’ve taken into consideration the final medium of
each work. For example, a video is not necessarily a video. Some are documentation of
performance or 3D works, while others are indeed meant to be films. Scale is also missing on
my computer screen. And I confess that I miss the experience of physically sharing space with
your work. That all this can go on virtually is a testament to the necessity art holds in our lives,
but the absence of art and its silence is also notable.
Thank you for taking the time and care to document your work. A number of awards went to
pieces that need to be experienced in person and I used the documentation video to ‘continue
the exaggeration’. I would encourage you to keep creating, however that presents itself and not
get caught up in needing this or needing that – which includes needing a physical audience.
Instead, I’d like to propose that in the absence of audience one might be willing to take more
risks, experience more failures, make more things.
Congratulations to all of you and be well.
Warmest Wishes,
Caitlin Margaret Kelly
Something is Out There, Rachel Goldie, Found footage video, 1:56
Anxiety Totem, Georgia Howard, Relief Block, 10" x 13”
Multiple, Emily Collins, Large format film, 8.5" x 11”
Mouth, Dianna DeVito, Photograph and Embroidery 8" x 10”
Unfuckable Series, Courtney Ares, Photography, 12" x 16”
Self Portrait in a Skin Colored Book, Jonathan Bolton, Graphite, charcoal, watercolor, 19" x 24”
Homage to the “Desperate Man,” Jason Lindsay, Acrylic on canvas, 24" x 30”
Who Am I?, Trenedy Hayden, Video, 1:34
Self Portrait, Katie Karban, Acrylic transfer and Acrylic paint, 2" x 2”
There From Lost Series, Avery Lynn Setzer, Digital Photography,15" x 10”
Concept Art for “Wasted Potential Television,” Griffin Cordell, Digital, 48" x 24”
Don’t Run, Jessie Jenkins, Acrylic on canvas, 24" x 24”
Lay My Burden Down, Kai Griffin, Cast acrylic, wood, 19" x 27.5" x 3”
Hearth, Seth Shull, Steel rod, Coroplast tape, 3' x 4.5' x 9’
The Bias Effect, Jewel Edwards, Wood, acrylic, and resin, 50" x 40" x 30”
divinity, Lauren Taylor Baechel, Steel and 23K Gold Leaf, 1’ ½” x 1’ ½”
Happy Mask, Anxious Feelings, Kamryn Knape, Acrylic Paint on Canvas, 36" x 24”
Self Royal Portrait, Jewel Edwards, Acrylic paint, 40" x 30”
Bake Bread and Don Socks, Ann McLean, Digital photography, 10" x 19”
his shadow and i, Jay Coleman, Digital collage, 37" x 29”
Curvy Lady, Rhianna Rausch, Ceramics, 14" x 4”
Veiled, Emily Collins, Large format print, 8.5" x 11”
Go to wrack and ruin, Halie Neyhard, White stoneware, raku fired, 7" x 4" x 3"
Purse, Kate Callahan, Ceramic, 7” long and 7 ½” tall
On Jamie Love’s Wall 1, Maggie Claytor, Acrylic, 13" x 9”
Still Life with Pretzel, Cheese, Flowers, and Banana Milk, Kim Le, Installation/ digital photography, 2.5' x 2' x 1.5’
Spicy Pineapple juice, Ivy Crumpton, Packaging Design, 8" x 7" x 2”
Mushrooms, Devlin Thayne, Wood, 9" x 8" x 7”
Papaw’s House, Peyton Tolley, Acrylic paint on wood, 24" x 36”
Gazelle, Frances Hardaway, Mixed Media, 18" x 24”
Children of the Earth Cart, Jason Lindsay, wood, plywood, sod, wire mesh, steel, dirt, cement, 48" x 24" x 24”
Understructure, Kaitlyn Rogers, Oil Paint, 48" x 48”
If A Law Effects Only One Gender, Is It Equality, Jennifer Hamilton, Paint/joint compound on Panel, plus metal nails, 4' x 5' x 3"
Violence, Marley Savanna Terry, Acrylic Monotype, 8.5" x 11”
I do for you…, Kim Le, Performance installation, 2' x 2' x 2’